Consolidating files in logic 9
This approach is suitable in the same scenarios as bouncing or consolidating, and the pros and cons are largely the same, although not all DAWs will be able to read the time‑stamp (most can, but check the target DAW's manual to be sure).
There's another benefit, though: you don't end up creating huge, continuous audio files that take up storage space.
MIDI files are read and written in the same way by every DAW, and by a good many hardware machines too.
So if you have several tracks of programmed drum beats, piano and string parts, it's a straightforward affair to save the MIDI file and re‑open it in another piece of software.
It's for this reason that I tend to bounce virtual instruments as audio, which can be edited and processed in the usual way, and only use MIDI as a backup.
There are a few quirks to watch out for, such as identical instruments having different presets on each machine, or how multitrack MIDI files are exploded on to different tracks, but exporting and importing MIDI files is generally a pretty painless process.
The most basic, and still the most reliable (if not the most flexible) way to transfer audio and virtual instrument tracks is to bounce each down as a continuous audio file, with all tracks starting at the same point (eg. That way, when you import the files into the other DAW, all tracks will line up as they should.
That's the way we usually work at SOS with our Mix Rescue projects, for example.
We're often asked how to transfer projects from one software DAW to another.You'll only be sending the standard MIDI information, of course, such as note on, note off, program changes and controller data; you're not exporting any virtual instruments or audio files themselves.However, if the same instruments and patches are available in the second DAW, you'll be able to use the MIDI files to get those instruments to play the same things back — although you won't have any effects or level automation on the virtual instrument output channels.Another audio‑only option is to export time‑stamped broadcast wave files (BWAV or BWF), which are 'time‑stamped'.Many sequencers are able to automatically line them up at the correct point on their timeline, such that the basic edits and arrangement changes remain intact.
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Remember that consolidation typically only applies to the audio tracks, and not to any send or group channels.